Experience the wonder of New York City Ballet’s iconic holiday classic on the big screen. In George Balanchine’s The Nutcracker™, Tchaikovsky’s beloved melodies transport the young and young at heart to a magical world where mischievous mice besiege a battalion of toy soldiers, and an onstage blizzard leads to an enchanted Land of Sweets. Balanchine’s stunning choreography shines amidst awe-inspiring set pieces, ornate costumes, and grand one-of-a-kind visual effects, like the one-ton Christmas tree that grows to an astonishing 40 feet.

In George Balanchine’s The Nutcracker™, Tchaikovsky’s beloved melodies transport the young and young at heart to a magical world where mischievous mice besiege a battalion of toy soldiers.

George Balanchine’s The Nutcracker

Step into the gripping world of 'Creature', a contemporary dance film by renowned choreographer Akram Khan (Giselle) in collaboration with the English National Ballet. Inspired by 'Frankenstein' and 'Woyzeck', it's a raw tale of an outsider's struggle for belonging.

The profound, and at times disturbing, story of ''Creature'' unfolds within the icy walls of an abandoned Arctic research station. Unknowingly drafted into a military experiment, Creature (Jeffrey Cirio) undergoes rigorous testing by a zealous doctor who pushes Creature to the limits of his mental and physical ability. Amid his cruel reality, Creature finds solace and love in the kind and compassionate cleaner, Marie (Erina Takahashi). When the relentless Major's fixation with Marie shatters the fragile balance, Creature is plunged into a heart-wrenching struggle for escape and survival. 

This vividly cinematic film merges Akram Khan's evocative choreography and Asif Kapadia's visionary direction to create an emotionally charged film. ''Creature'' explores yearning, power, and the resilience of human connections. Experience this intense and compelling narrative brought to life by the English National Ballet.

Step into the gripping world of 'Creature', a contemporary dance film by renowned choreographer Akram Khan (Giselle) in collaboration with the English National Ballet. 

Creature

Writer Laura Esquivel’s modern Mexican tale of passionate and forbidden love comes brilliantly to life with The Royal Ballet. Artistic Associate Christopher Wheeldon ( Alice’s Adventures in Wonderland) captures the layered richness of Esquivel’s incredible family saga, Like Water for Chocolate. Royal Ballet Principals Francesca Hayward and Marcelino Sambé shine as the star-crossed Tita and Pedro, and composer Joby Talbot’s original score springs to life in the hands of Mexican conductor Alondra de la Parra. Full of dramatic energy and magical storytelling this production is a dazzling new contemporary classic.  

Writer Laura Esquivel’s novel, Like Water for Chocolate, comes brilliantly to life with The Royal Ballet. Watch now. 

Like Water for Chocolate

Choreographer Silas Farley's piece, Dowland Dances, draws inspiration from the idea that art can transcend history, evolving and moving forward while drawing inspiration from the past. 

The piece is set to Sting’s rendition of music by the English Renaissance composer John Dowland. Farley was intrigued by the idea that Dowland, a pop star of his own generation, has inspired and lived on through a contemporary pop star like Sting. Farley has similarly drawn inspiration from ballet’s long history, mixing the old with the new, to create this unique piece.

Choreographer Silas Farley's piece, Dowland Dances, draws inspiration from the idea that art can transcend history.

Dowland Dances

Fantastic fairies, opulent balls, and a healthy dose of humor. Choreographer Christian Spuck reimagines Marius Petipa’s timeless classic, Sleeping Beauty, for Ballett Zürich.  

Christian Spuck ( Romeo and Juliet, Messa da Requiem, The Nutcracker and The Mouse King) presents a fresh and captivating take on the beloved ballet. This enchanting adaptation follows the journey of sheltered Aurora, beautifully portrayed by Michelle Willems, as she courageously breaks free from expectations and steps into her own. Supported by a brilliantly costumed cast of androgynous fairies, thanks to costume designer Buki Shiff, Spuck turns the spotlight on the fate of Carabosse ( William Moore) blurring the line between good and evil. This production is full of quick wit, magical designs, and of course, Spuck’s unique choreographic language. Accompanied by Philharmonia Zurich, under Servenikas’s baton, Tchaikovsky’s melodies provide the perfect backdrop to this mesmerizing production. Combining the best of fairy tale magic and artistic innovation.


Tchaikovsky's Sleeping Beauty with Ballet Zurich; Choreographer Christian Spuck creates a modern and exciting new interpretation of the popular fairy tale.

Sleeping Beauty – Ballet by Christian Spuck

Perhaps Tchaikovsky’s most famous score, Swan Lake has earned its title as one of the most beloved romantic classical ballets of all time. 

White swan by day, human by night, Swan Lake follows the beautiful Odette as she waits for an oath of true love to break the curse. 

Brought to vivid life by the inimitable Bolshoi Ballet, this world-class production stars Svetlana Zakharova, Denis Rodkin and Artemy Belyakov.

Experience Tchaikovsky’s Swan Lake, brought to life by the inimitable Bolshoi Ballet.

Swan Lake

The story takes place in Naples where Pulcinella is a local rogue with an eye for the girls. Rosetta, Isabella and Prudenza are infatuated with him, much to the irritation of their boyfriends and Pulcinella's wife, Pimpinella. One night, the boyfriends lie in wait for Pulcinella and beat him soundly. To escape, Pulcinella falls down 'dead' and the men sneak guiltily away, leaving the 'corpse' to be discovered by their girlfriends. Meanwhile, Pimpinella, having caught Pulcinella flirting once too often, persuades her friends to disguise themselves as Pulcinella and pester the girls, to teach them a lesson. When the girls and their boyfriends see the fake Pulcinellas, they are convinced they are seeing ghosts. Pimpinella arrives, the fake Pulcinellas reveal themselves, and the real Pulcinella re-appears. The lovers ask forgiveness, and everyone celebrates.

The story takes place in Naples where Pulcinella is a local rogue with an eye for the girls.

Pulcinella

Discover acclaimed Swedish choreographer Mats Ek’s 1987 reworking of the ballet classic, Giselle, for the Cullberg Ballet.  

With the sensational Ana Laguna in the title role, Mats Ek’s interpretation of the ballet classic has all the whimsy and imaginative innovation so closely associated with the choreographer. In this version of Giselle, the traditional romantic Rhineland village is replaced by a landscape in the shape of breasts, and the supernatural realm of the Wilis is replaced by the harsh reality of a lunatic asylum giving this interpretation a harsh modern relevance.  Ana Laguna dances superbly as the barefoot girl who falls ‘madly in love’.

Discover acclaimed Swedish choreographer Mats Ek’s 1987 reworking of the ballet classic, Giselle, for the Cullberg Ballet. 

Mats Ek's Giselle

The Tides is a short ballet piece that captures the very essence of water.  Performed by Pointeworks artists Sophie Williams and Valentin Batista, the dance is set to an expressive score by Adrian Berenguer, this dance short showcases the unique emotional depth of choreographer Leiland Charles.  

This short ballet piece, performed by Pointeworks artists Sophie Williams and Valentin Batista, explores very essence of water. 

The Tides

Celebrate the life and legacy of ballet icon Rudolf Nureyev. Widely regarded as one of the greatest ballet dancers, Nureyev’s contributions to the world of ballet forever changed the art form. The Nureyev Legend and Legacy Gala features a selection of excerpts that represent pivotal moments from Nureyev’s career performed by today’s leading ballet stars. From his mesmerizing Le Corsaire solo to spellbinding duets from his partnership with Margot Fonteyn, this gala is an authentic homage to Nureyev’s artistic brilliance.  

Celebrate the life and legacy of ballet icon Rudolf Nureyev with the Nureyev Legend and Legacy Gala. 

Nureyev: Legend and Legacy

After taking a break from choreographing outside his own company, renowned Choreographer Thierry Malandain has created an innovative pastoral double bill for the Ballet du Capitole, featuring the world premiere of his work Daphnis et Chloé.

Beginning with Debussy’s famous symphonic poem, l'après-midi d'un faune, Malandain has returned to his neoclassical roots, creating a tranquil yet humorous, pastoral scene featuring soloist Philippe Solano.  

This is followed by his impressionistic interpretation of Ravel’s 1912 symphony with choir, Daphnis et Chloé. Originally created for Diaghilev’s Ballets Russes, Malandain has reinvented this pastoral myth of innocence and love infusing it with his signature precision and whimsy. 

This world premiere brings together the vital forces of the Capitole: the Ballet, the Chorus and the Orchestra under the direction of Maxime Pascal.

Watch choreographer Theirry Malandain’s double bill featuring the world premiere of his reinterpretation of Ravel's Daphnis et Chloé.

Daphnis et Chloé

Because of Tchaikovsky’s imaginative music, “The Nutcracker” is one of the most popular works of the ballet repertoire, instantly bringing to mind scenes of a splendidly decorated Christmas room, dancing snowflakes and the waltz of the flowers. 

The plot of “The Nutcracker” is based on a novella by E.T.A. Hoffmann, one of the most famous writers of German Romanticism. While Hoffmann’s masterful fairy tale jumps eerily back and forth from a dream to reality, many of the ballet adaptations, like Peter Wright's and Marius Petipa's, have lost the darkness woven throughout this romantic fantasy.

In this production, choreographer Christian Spuck attempts to distance himself from traditional choreography and puts the literary origin at the heart of his ballet. Spuck emphasizes the fantastical nature of Hoffman's story and brings back the tale of princess Pirlipat, who turns into a nut monster. 

In Rufus Didwiszus’ stage setting, the workshop of the godfather Drosselmeier turns into an old revue theater, where the characters of the ballet come to life. Spucks’ choreography plays with the richness of characters in E.T.A. Hoffmann’s narrative cosmos, the absurdity and overwrought humor that inhabit them while at the same time looking down into the dark abyss of Romanticism.

Christian Spuck attempts to distance himself from the Dumas/Petipas version and puts the literary origin at the heart of his ballet.

The Nutcracker and the Mouse King

Watch three bite-sized performances inspired by Tchaikovsky’s iconic Swan lake. 

Choreographer Eric Gauthier asked star choreographers Hofesh Shechter, Cayetano Sato, and Marco Goecke tending to take a single aspect or idea from the classic swan lake and transform it into something completely unique. There are no swans or white tutus here. Instead, each piece is a new and exciting creation. 

Hofesh Schechter’s Swan Cake is a burst of energy featuring 8 dancers in constant motion. 

Cayetano Sato’s Untitled for 7 Dancers is a moody exploration of transformation set to an electro-score by the young composer and cellist Peter Gregson.

Marco Goecke’s Shara Nur was inspired by a lake in Russia whose water is rumored to turn the body red after a swim.

Eric Gauthier asked choreographers to create their very own version of Tchaikovsky‘s ballet “SWAN LAKE”.

Swan Lakes

A classic ballet, done in a completely new way. Alexander Ekman’s A Swan Lake, staged by the Norwegian National Ballet at the Oslo Opera House, sees the traditional tale of Swan Lake turned on its head. 

Think… actors, musicians and 1000 rubber ducks.

A production you must see to believe.

A Swan Lake is Alexander Ekman’s quirky take on a classic, introducing rubber ducks and water to the Oslo Opera House.

A Swan Lake

This ‘’Swan Lake’’ is a ‘’Swan Lake” for our times capable of transporting the audience to another world. The magic in the story suddenly takes hold of the viewer. Ballet is not simply a way of telling the story. Rather than gestures asking to be deciphered, the choreographer created large-scale, visionary movements closer to an artistic language of symbols and plays on the whole spectrum of human emotions. It always maintains a relationship of creative tension with its surroundings, especially the music, the poetry of the set, the use of light and colour, the texture of the costumes. A key element of this artistic responsibility is to tell the story precisely but openly, without pinning it down, especially the ending – an ending which is in a many-facetted sense a “deliverance”. Does this mean that the lovers are saved? Is the spell’s power broken? Are there other kinds of salvation and deliverance? Perhaps even by death and transfiguration? Ballerina Polina Semionova performs the mythic parts of Odette and Odile (white swan and black swan) with her great partner Stanislav Jermakov. The Zurich Opera House Orchestra is conducted by Russian musical director Vladimir Fedoseyev acclaimed in this repertoire.

This ‘’Swan Lake’’ is a ‘’Swan Lake” for our times capable of transporting the audience to another world.

New York City Ballet: An Evening of George Balanchine and Justin Peck

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