The Royal Ballet presents Wayne McGregor’s three-part ballet inspired by Dante’s The Divine Comedy. 

Travel through Dante’s 14th-century vision of Hell, Purgatory, and Paradise accompanied by an original score from composer/conductor Thomas Adès. With a new narrative arc centered around a young woman, Beatrice, Dante’s extraordinary vision unfolds in a spectacular show of movement, sound, space, and light. 

The Royal Ballet presents The Dante Project, Wayne McGregor’s three-part ballet inspired by Dante’s The Divine Comedy. Watch now.

The Dante Project

This ‘’Swan Lake’’ is a ‘’Swan Lake” for our times capable of transporting the audience to another world. The magic in the story suddenly takes hold of the viewer. Ballet is not simply a way of telling the story. Rather than gestures asking to be deciphered, the choreographer created large-scale, visionary movements closer to an artistic language of symbols and plays on the whole spectrum of human emotions. It always maintains a relationship of creative tension with its surroundings, especially the music, the poetry of the set, the use of light and colour, the texture of the costumes. A key element of this artistic responsibility is to tell the story precisely but openly, without pinning it down, especially the ending – an ending which is in a many-facetted sense a “deliverance”. Does this mean that the lovers are saved? Is the spell’s power broken? Are there other kinds of salvation and deliverance? Perhaps even by death and transfiguration? Ballerina Polina Semionova performs the mythic parts of Odette and Odile (white swan and black swan) with her great partner Stanislav Jermakov. The Zurich Opera House Orchestra is conducted by Russian musical director Vladimir Fedoseyev acclaimed in this repertoire.

This ‘’Swan Lake’’ is a ‘’Swan Lake” for our times capable of transporting the audience to another world.

Tchaikovsky: Swan Lake

Nothing lasts forever. In this poignant dance short by filmmaker Ramón Verdugo, a couple confronts the inevitable fading of their relationship. 

Inspired by the Japanese concept of ‘Mono no Aware’, which captures the emptiness associated with acknowledging the impermanence of life, this moving dance piece focuses on the quiet and devastating moments of limbo as a couple acknowledges that their love will not last.  Shot on the captivating set of Orca Studios, this production uses a virtual landscape to transport the couple through space and time - from lush landscapes of budding love to the stark emptiness of growing apart.  


Nothing lasts forever. In this poignant dance short by filmmaker Ramón Verdugo, a couple confronts the inevitable fading of their relationship. 

Aware

Join Royal Ballet principals Marianela Núñez (Giselle) and Vadim Muntagirov (Albrecht) as they discuss dancing together for the first time in Giselle.

Giselle: Dancing Together

Royal Ballet Principal Marianela Nuñez delights as Princess Aurora, with Vadim Muntagirov as her Prince Florimund, in this performance of a timeless classic. Marius Petipa’s The Sleeping Beauty holds a special place in The Royal Ballet’s repertory, with its vibrant sets and glittering costumes and featuring such iconic moments as the Rose Adage, the Vision pas de deux, the exuberant wedding celebration and the charming fairy-tale guests, all danced to Tchaikovsky’s richly layered music – one of the most beloved ballet scores of all time. This Sleeping Beauty captures all the magic and virtuosity that ballet has to offer.

Marianela Nuñez delights as Princess Aurora, with Vadim Muntagirov as her Prince Florimund, in this performance of a timeless classic.

Sleeping Beauty (2017)

Experience Peter Wright’s acclaimed production of Giselle, one of the greatest Romantic ballets of all time.

Choreographer and director Peter Wright brings Marius Petipa’s timeless tale of betrayal, the supernatural and love that transcends death to the Royal Opera House in a moving, spell-binding production. 

This is your chance to watch a production so revered it has been danced by The Royal Ballet since 1985.

Peter Wright’s production of the classic ballet Giselle, starring Marianela Núñez.

Giselle

In 2018 Akram Khan, the renowned contemporary choreographer, took the greatest of all romantic ballets and put his own stamp on this story of love, betrayal and redemption 

Hailed as a modern masterpiece, this stunning new version by the English National Ballet includes sets and costumes by designer Tim Yip, and an adaptation of Adolphe Adam's original score created by composer Vincenzo Lamagna. 

Akram Khan's Giselle for the English National Ballet boldly reimagines the classic story of love, betrayal and redemption.

Akram Khan's Giselle

Discover acclaimed Swedish choreographer Mats Ek’s 1987 reworking of the ballet classic, Giselle, for the Cullberg Ballet.  

With the sensational Ana Laguna in the title role, Mats Ek’s interpretation of the ballet classic has all the whimsy and imaginative innovation so closely associated with the choreographer. In this version of Giselle, the traditional romantic Rhineland village is replaced by a landscape in the shape of breasts, and the supernatural realm of the Wilis is replaced by the harsh reality of a lunatic asylum giving this interpretation a harsh modern relevance.  Ana Laguna dances superbly as the barefoot girl who falls ‘madly in love’.

Discover acclaimed Swedish choreographer Mats Ek’s 1987 reworking of the ballet classic, Giselle, for the Cullberg Ballet. 

Mats Ek's Giselle

Scottish Ballet’s 50th anniversary year comes to a spectacular close with the world premiere of The Snow Queen. This glittering new production is inspired by Hans Christian Andersen’s much-loved tale – which was also the basis for Frozen. It will be set to the music of Rimsky-Korsakov, performed live by the full Scottish Ballet Orchestra. From the bustle of a winter’s market to the shivers of a fairytale forest, take a journey to the Snow Queen’s palace, where you’ll find her surrounded by the icy fragments of an enchanted mirror. Along the way you’ll meet a colourful cast of characters, from young lovers parted by a spell to a circus ringmaster with a few tricks up his sleeve.

Scottish Ballet’s 50th anniversary year comes to a spectacular close with the world premiere of The Snow Queen.

The Snow Queen

A sparkling tale of magic and mischief, Coppélia has everything a good story ballet should: a touch of enchantment, a dash of romance and masses of sumptuous costumes.
Swanilda and her merry boyfriend Franz live in a village with Dr Coppelius, a sinister magician and inventor who has created a beautiful doll that he sits on his balcony. One day Franz sees the doll, Coppélia, and becomes infatuated with her. Swanilda and her friends decide to explore Dr Coppelius’ house while he is out to see who the mysterious woman is, but he returns suddenly and Swanilda hides – pretending to be Coppélia. At the same time, the love struck Franz finds a ladder and climbs into Dr Coppelius’ house, so Coppelius, who plans to steal his life force to animate his doll, pours him a drink with a sleeping draught in it. When Franz passes out, Coppelius brings out Coppélia so Swanilda pretends to be a doll coming to life. Coppelius is delighted – until Swanilda manages to wake Franz and they escape from the house and are married, sealing their love with a tender pas de deux.
Sorcery and masquerade, romance and high jinks – this is the funniest, sunniest ballet you’ll see all year.

A sparkling tale of magic and mischief, Coppélia has everything a ballet should: a touch of enchantment, a dash of romance and sumptuous costumes.

Coppélia

The Australian Ballet presents La Sylphide, in a production by Erik Bruhn after August Bournonville’s nineteenth-century original. A ballet in two acts, La Sylphide tells the tale of the Scottish dreamer James, who is fascinated by a woodland sprite and spurns his fiancée to follow her. Intent on capturing the ethereal beauty for his own, he accepts the help of the vengeful witch Madge, who leads him to his downfall.

The Australian Ballet presents La Sylphide, in a production by Erik Bruhn after August Bournonville’s nineteenth-century original.

La Sylphide

Because of Tchaikovsky’s imaginative music, “The Nutcracker” is one of the most popular works of the ballet repertoire, instantly bringing to mind scenes of a splendidly decorated Christmas room, dancing snowflakes and the waltz of the flowers. 

The plot of “The Nutcracker” is based on a novella by E.T.A. Hoffmann, one of the most famous writers of German Romanticism. While Hoffmann’s masterful fairy tale jumps eerily back and forth from a dream to reality, many of the ballet adaptations, like Peter Wright's and Marius Petipa's, have lost the darkness woven throughout this romantic fantasy.

In this production, choreographer Christian Spuck attempts to distance himself from traditional choreography and puts the literary origin at the heart of his ballet. Spuck emphasizes the fantastical nature of Hoffman's story and brings back the tale of princess Pirlipat, who turns into a nut monster. 

In Rufus Didwiszus’ stage setting, the workshop of the godfather Drosselmeier turns into an old revue theater, where the characters of the ballet come to life. Spucks’ choreography plays with the richness of characters in E.T.A. Hoffmann’s narrative cosmos, the absurdity and overwrought humor that inhabit them while at the same time looking down into the dark abyss of Romanticism.

Christian Spuck attempts to distance himself from the Dumas/Petipas version and puts the literary origin at the heart of his ballet.

The Nutcracker and the Mouse King

A hundred years later, the Lilac Fairy shows Prince Désiré the sleeping Princess in a vision. He falls in love and sets out to find her. When he kisses her, the spell is broken and she awakes. She chooses him as her husband, and they celebrate their marriage with a lavish masked ball.

In Sleeping Beauty, the Prince kisses Princess Aurora, her spell is broken and she awakes and they celebrate their marriage with a masked ball.

Sleeping Beauty

The story takes place in Naples where Pulcinella is a local rogue with an eye for the girls. Rosetta, Isabella and Prudenza are infatuated with him, much to the irritation of their boyfriends and Pulcinella's wife, Pimpinella. One night, the boyfriends lie in wait for Pulcinella and beat him soundly. To escape, Pulcinella falls down 'dead' and the men sneak guiltily away, leaving the 'corpse' to be discovered by their girlfriends. Meanwhile, Pimpinella, having caught Pulcinella flirting once too often, persuades her friends to disguise themselves as Pulcinella and pester the girls, to teach them a lesson. When the girls and their boyfriends see the fake Pulcinellas, they are convinced they are seeing ghosts. Pimpinella arrives, the fake Pulcinellas reveal themselves, and the real Pulcinella re-appears. The lovers ask forgiveness, and everyone celebrates.

The story takes place in Naples where Pulcinella is a local rogue with an eye for the girls.

Pulcinella

Watch three bite-sized performances inspired by Tchaikovsky’s iconic Swan lake. 

Choreographer Eric Gauthier asked star choreographers Hofesh Shechter, Cayetano Sato, and Marco Goecke tending to take a single aspect or idea from the classic swan lake and transform it into something completely unique. There are no swans or white tutus here. Instead, each piece is a new and exciting creation. 

Hofesh Schechter’s Swan Cake is a burst of energy featuring 8 dancers in constant motion. 

Cayetano Sato’s Untitled for 7 Dancers is a moody exploration of transformation set to an electro-score by the young composer and cellist Peter Gregson.

Marco Goecke’s Shara Nur was inspired by a lake in Russia whose water is rumored to turn the body red after a swim.

Eric Gauthier asked choreographers to create their very own version of Tchaikovsky‘s ballet “SWAN LAKE”.

Swan Lakes

In a new production for the Royal Swedish Ballet, Eskapist is an entrancing, enthralling testament to the power of dance. 

Choreographed by Alexander Ekman with music from Mikael Karlsson, Eskapist revels in pushing the limits of what can be done on a stage, and the boundless potential of dance. Moving, funny, uplifting and other-worldly, this stunning production is not to be missed.

With Eskapist, Alexander Ekman choreographs a bold new work for the Swedish Royal Ballet.

Eskapist

Symphonic Variations was Frederic Ashton’s first work after World War II, and one of the Company’s first to be performed on the huge main stage of the Royal Opera House, in 1946. With six dancers performing a series of quartets, duets, sextets and solos to Franck’s brooding Variations symphoniques, this seminal masterpiece celebrates the pure beauty of movement.

Ashton celebrates movement with six dancers in a series of quartets, duets, sextets and solos to Franck’s brooding Variations symphoniques.

Symphonic Variations

Christopher Wheeldon’s Alice’s Adventures in Wonderland burst onto the stage in 2011 in an explosion of color, stage magic and inventive, sophisticated choreography. Joby Talbot’s score combines contemporary soundworlds with sweeping melodies that gesture to ballet scores of the 19th century. Bob Crowley’s wildly imaginative, eye-popping designs draw on everything from puppetry to projections to make Wonderland wonderfully real. 

Alice encounters a cast of extraordinary and instantly recognizable characters, from the highly strung Queen of Hearts – who performs a hilarious send-up of The Sleeping Beauty’s famous Rose Adage – to a playing card corps de ballet, a sinuous caterpillar and a tap-dancing Mad Hatter. But the ballet does not avoid the darker undercurrents of Lewis Carroll’s story: a nightmarish kitchen, an eerily disembodied Cheshire Cat and the unhinged tea party are all here in vivid detail. The delicious result shows The Royal Ballet at its best, bringing together world-class dance with enchanting family entertainment.


Fall down the rabbit hole with the Royal Ballet's Alice's Adventures in Wonderland, choreographed by Christopher Wheeldon

Alice's Adventures in Wonderland

Set outside of place and time, Graeme Murphy’s Romeo & Juliet is a transcenand ode to the timeless love story. 

Spanning multiple locations, vividly realized by set designer Gerard Manion and fashion designer Akira Isogawa, this striking ballet centers the universal tale of love overcoming adversity. 

With nuanced performances from principal dancers Madeline Eastoe and Kevin Jackson, this unique take on the classic love story was filmed at the Sydney Opera House.

Graeme Murphy reimagines Romeo and Juliet for a striking ballet filmed at the Sydney Opera House.

Romeo and Juliet

Widely lauded by critics, choreographer Jonathan Watkins 1984 is an awe-inspiring retelling of George Orwells masterpiece. Winston Smith lives in a world of absolute conformity, his every action scrutinized by Big Brother. However, when Winston meets Julia, he dares to rebel by falling in love. Danced by Northern Ballet the UKs foremost narrative ballet company to a score by Tony-nominated composer Alex Baranowski, this thoroughly modern take on 1984 will change the way you think about ballet. Batley [Winston Smith] and Leebolt [Julia] are excellent, their bodies as vividly present as their faces are haunted. At the chilling end, we realise not only how intently we have been watching, but also that we too may be watched. (Sanjoy Roy, The Guardian) ""This is gripping storytelling"" (The Stage) ""..an ambitious, compelling and, ultimately, moving new ballet. Even more powerful are the intimate duets for Winston and Julia, verboten lovers who are dancing on a metaphorical razor's edge. Thinking themselves free of the gaze of Big Brother, they give themselves to each other with a genuinely moving passion, which is danced gorgeously by Tobias Batley and Martha Leebolt"" (The Daily Telegraph)

Jonathan Watkins 1984 is an awe-inspiring retelling of George Orwells masterpiece

Giselle

La Scala

Subscribe now to watch

Cast & Crew

You may also like