Victory makes Radamès a hero, but tangles his Ethiopian lover Aida in a dangerous royal love triangle and a very personal war.

“Falstaff” is the only comic opera, as well as the last opera, of Verdi’s production.

Pinkerton returns to the US and finds a “real” wife, while Butterfly waits with unshakeable faith for him to return to the house on the harbour.

The ‘sheer visual sophistication’ of Annabel Arden’s Barbiere serves ‘a triumphant celebration of Rossini’s musical genius

Mozart’s masterpiece conducted by Giovanni Antonini on stage at La Scala with Michael Hampe’s staging.

This production of “The Rake’s Progress” marks Barbara Hannigan’s debut as an opera conductor and is a “labor of love” for her.

Glyndebourne’s wartime history as a home for evacuee children is the ingenious context for a new production of this unclassifiable tale.