Laurent Pelly's expression of Berlioz's adaptation of Much Ado about Nothing as an opera comique becomes ''an elegant treatise on love and music".
Beatrice and Benedict
Glyndebourne
opera

Three decades after Mathieu Kassovitz’s explosive film La Haine redefined French cinema, the cult classic arrives on stage in a boundary-breaking new medium. This ambitious production blends theater, live cinema, hip-hop choreography, and rap music into a single artistic event.
Originally released in 1995, the film became an instant cultural touchstone and a symbol of a generation, earning widespread international acclaim. Now, Kassovitz himself returns to direct this immersive adaptation, proving that the story’s raw look at social politics, identity, and brotherhood in the Parisian suburbs remains entirely relevant today.
Experience a masterclass in multimedia storytelling, where 15 distinct scenes interact directly with live actors on stage that plunges you right into the action. Driven by a striking original soundtrack that bridges 1990s underground hip-hop with modern beats, it is a powerful, beautifully specific ode to solidarity and survival.
(Director), (Choreographer), (Choreographer), Alivor (Hubert), Alexander Ferrario (Vinz), Samy Belkessa (Saïd)