Nothing lasts forever. In this poignant dance short by filmmaker Ramón Verdugo, a couple confronts the inevitable fading of their relationship. 

Inspired by the Japanese concept of ‘Mono no Aware’, which captures the emptiness associated with acknowledging the impermanence of life, this moving dance piece focuses on the quiet and devastating moments of limbo as a couple acknowledges that their love will not last.  Shot on the captivating set of Orca Studios, this production uses a virtual landscape to transport the couple through space and time - from lush landscapes of budding love to the stark emptiness of growing apart.  


Nothing lasts forever. In this poignant dance short by filmmaker Ramón Verdugo, a couple confronts the inevitable fading of their relationship. 

Aware

The Royal Ballet presents Wayne McGregor’s three-part ballet inspired by Dante’s The Divine Comedy. 

Travel through Dante’s 14th-century vision of Hell, Purgatory, and Paradise accompanied by an original score from composer/conductor Thomas Adès. With a new narrative arc centered around a young woman, Beatrice, Dante’s extraordinary vision unfolds in a spectacular show of movement, sound, space, and light. 

The Royal Ballet presents The Dante Project, Wayne McGregor’s three-part ballet inspired by Dante’s The Divine Comedy. Watch now.

The Dante Project

The Australian Ballet presents La Sylphide, in a production by Erik Bruhn after August Bournonville’s nineteenth-century original. A ballet in two acts, La Sylphide tells the tale of the Scottish dreamer James, who is fascinated by a woodland sprite and spurns his fiancée to follow her. Intent on capturing the ethereal beauty for his own, he accepts the help of the vengeful witch Madge, who leads him to his downfall.

The Australian Ballet presents La Sylphide, in a production by Erik Bruhn after August Bournonville’s nineteenth-century original.

La Sylphide

This is ballet as you’ve never seen it before. Award-winning filmmakers Michael Nunn and William Trevitt ( A.K.A BalletBoyz) have brought Sir Kenneth MacMillain’s Romeo and Juliet to life in this full-length cinematic drama. Filmed on location, Shakespeare’s iconic love story becomes a brilliant fusion of music, theater, ballet, and costume drama. Set to The Royal Opera House Orchestra’s exclusive recording of Prokofiev’s original score, and starring principals Francesca Hayward and William Bracewell in the title roles, this film is a groundbreaking showcase of Royal Ballet talent.  

 Award-winning filmmakers Michael Nunn and William Trevitt ( A.K.A BalletBoyz) have brought Sir Kenneth MacMillan's Romeo and Juliet to life in this full-length cinematic drama. Watch now. 

Romeo and Juliet

The romantic ballet by Coralli and Perrot returns in the revival of Yvette Chauviré

Giselle

Christopher Wheeldon’s Alice’s Adventures in Wonderland burst onto the stage in 2011 in an explosion of color, stage magic and inventive, sophisticated choreography. Joby Talbot’s score combines contemporary soundworlds with sweeping melodies that gesture to ballet scores of the 19th century. Bob Crowley’s wildly imaginative, eye-popping designs draw on everything from puppetry to projections to make Wonderland wonderfully real. 

Alice encounters a cast of extraordinary and instantly recognizable characters, from the highly strung Queen of Hearts – who performs a hilarious send-up of The Sleeping Beauty’s famous Rose Adage – to a playing card corps de ballet, a sinuous caterpillar and a tap-dancing Mad Hatter. But the ballet does not avoid the darker undercurrents of Lewis Carroll’s story: a nightmarish kitchen, an eerily disembodied Cheshire Cat and the unhinged tea party are all here in vivid detail. The delicious result shows The Royal Ballet at its best, bringing together world-class dance with enchanting family entertainment.


Fall down the rabbit hole with the Royal Ballet's Alice's Adventures in Wonderland, choreographed by Christopher Wheeldon

Alice's Adventures in Wonderland

The Merry Widow ballet is an adaptation of Franz Lehár's romantic operetta The Merry Widow. Originally commissioned by The Australian Ballet and premiering in November 1975

The Merry Widow ballet is an adaptation of Franz Lehár's romantic operetta The Merry Widow.

Merry Widow

Mayerling is a ballet choreographed by Kenneth MacMillan to the music of Franz Liszt. 

Dealing with dangerous desires, family secrets and political intrigue, the story was inspired by true life events. More specifically, the sexual and morbid obsessions of Crown Prince Rudolf leading to the murder-suicide scandal with his mistress Mary Vetsera.
Set against the backdrop of the oppressive but glamorous Austro-Hungarian court in the 1880s, this production is a masterclass in storytelling through dance.

Mayerling, choreographed by Kenneth MacMillan to the music of Liszt, is inspired by a true story of sex, obsession and tragedy.

Mayerling

The Royal Ballet’s In Her Hands is part of Marquee TV’s free Summer Shorts series, shining light on new and alternative productions, plus hidden gems. 

Starring Natalia Osipova, the production is set in Paris, 1892, and is inspired by the life and work of French sculptors Camille Claudel and Auguste Rodin. 

Set to the haunting melody of Fauré’s Elegie in C Minor Op24, the production includes choreography by the Royal Ballet’s Valentina Zucchetti.

The Royal Ballet’s In Her Hands stars Natalia Osipova and reflects on the relationship between French sculptors, Camille Claudel and Auguste Rodin.

In Her Hands

With choreography by legendary French dancer and ballet master, Marius Petipa, Paquita is a wonderful display of triumphant leaps, intricate footwork and movement at its best. 

Originally choreographed for the Paris Opéra Ballet in 1846 by Joseph Mazilier, the story centers on a Spanish gypsy named Paquita, who saves the life of Lucien, a French aristocrat. When she discovers that she is herself of noble blood, they marry in a big celebration.

This performance acts as a sparkling showcase for the Australian Ballet.

The Australian Ballet presents Paquita, the exuberant ballet featuring choreography by legend Mairus Petipa.

Paquita

Wayne McGregor’s Dyad 1929, made for The Australian Ballet and featuring an electrifying score by Steve Reich, tests the limits of classical movement in a laboratory-white set.

Hailed by critics as a “total work of art”, this unmissable ballet stars promising young dancers like Adam Bull and Amber Scott.

Wayne McGregor choreographed and created Dyad 1929 for the Australian Ballet.

Dyad 1929

In a new production for the Royal Swedish Ballet, Eskapist is an entrancing, enthralling testament to the power of dance. 

Choreographed by Alexander Ekman with music from Mikael Karlsson, Eskapist revels in pushing the limits of what can be done on a stage, and the boundless potential of dance. Moving, funny, uplifting and other-worldly, this stunning production is not to be missed.

With Eskapist, Alexander Ekman choreographs a bold new work for the Swedish Royal Ballet.

Eskapist

Because of Tchaikovsky’s imaginative music, “The Nutcracker” is one of the most popular works of the ballet repertoire, instantly bringing to mind scenes of a splendidly decorated Christmas room, dancing snowflakes and the waltz of the flowers. 

The plot of “The Nutcracker” is based on a novella by E.T.A. Hoffmann, one of the most famous writers of German Romanticism. While Hoffmann’s masterful fairy tale jumps eerily back and forth from a dream to reality, many of the ballet adaptations, like Peter Wright's and Marius Petipa's, have lost the darkness woven throughout this romantic fantasy.

In this production, choreographer Christian Spuck attempts to distance himself from traditional choreography and puts the literary origin at the heart of his ballet. Spuck emphasizes the fantastical nature of Hoffman's story and brings back the tale of princess Pirlipat, who turns into a nut monster. 

In Rufus Didwiszus’ stage setting, the workshop of the godfather Drosselmeier turns into an old revue theater, where the characters of the ballet come to life. Spucks’ choreography plays with the richness of characters in E.T.A. Hoffmann’s narrative cosmos, the absurdity and overwrought humor that inhabit them while at the same time looking down into the dark abyss of Romanticism.

Christian Spuck attempts to distance himself from the Dumas/Petipas version and puts the literary origin at the heart of his ballet.

The Nutcracker and the Mouse King

The story takes place in Naples where Pulcinella is a local rogue with an eye for the girls. Rosetta, Isabella and Prudenza are infatuated with him, much to the irritation of their boyfriends and Pulcinella's wife, Pimpinella. One night, the boyfriends lie in wait for Pulcinella and beat him soundly. To escape, Pulcinella falls down 'dead' and the men sneak guiltily away, leaving the 'corpse' to be discovered by their girlfriends. Meanwhile, Pimpinella, having caught Pulcinella flirting once too often, persuades her friends to disguise themselves as Pulcinella and pester the girls, to teach them a lesson. When the girls and their boyfriends see the fake Pulcinellas, they are convinced they are seeing ghosts. Pimpinella arrives, the fake Pulcinellas reveal themselves, and the real Pulcinella re-appears. The lovers ask forgiveness, and everyone celebrates.

The story takes place in Naples where Pulcinella is a local rogue with an eye for the girls.

Pulcinella

A hundred years later, the Lilac Fairy shows Prince Désiré the sleeping Princess in a vision. He falls in love and sets out to find her. When he kisses her, the spell is broken and she awakes. She chooses him as her husband, and they celebrate their marriage with a lavish masked ball.

In Sleeping Beauty, the Prince kisses Princess Aurora, her spell is broken and she awakes and they celebrate their marriage with a masked ball.

Sleeping Beauty

Set outside of place and time, Graeme Murphy’s Romeo & Juliet is a transcenand ode to the timeless love story. 

Spanning multiple locations, vividly realized by set designer Gerard Manion and fashion designer Akira Isogawa, this striking ballet centers the universal tale of love overcoming adversity. 

With nuanced performances from principal dancers Madeline Eastoe and Kevin Jackson, this unique take on the classic love story was filmed at the Sydney Opera House.

Graeme Murphy reimagines Romeo and Juliet for a striking ballet filmed at the Sydney Opera House.

A sparkling tale of magic and mischief, Coppélia has everything a good story ballet should: a touch of enchantment, a dash of romance and masses of sumptuous costumes.
Swanilda and her merry boyfriend Franz live in a village with Dr Coppelius, a sinister magician and inventor who has created a beautiful doll that he sits on his balcony. One day Franz sees the doll, Coppélia, and becomes infatuated with her. Swanilda and her friends decide to explore Dr Coppelius’ house while he is out to see who the mysterious woman is, but he returns suddenly and Swanilda hides – pretending to be Coppélia. At the same time, the love struck Franz finds a ladder and climbs into Dr Coppelius’ house, so Coppelius, who plans to steal his life force to animate his doll, pours him a drink with a sleeping draught in it. When Franz passes out, Coppelius brings out Coppélia so Swanilda pretends to be a doll coming to life. Coppelius is delighted – until Swanilda manages to wake Franz and they escape from the house and are married, sealing their love with a tender pas de deux.
Sorcery and masquerade, romance and high jinks – this is the funniest, sunniest ballet you’ll see all year.

A sparkling tale of magic and mischief, Coppélia has everything a ballet should: a touch of enchantment, a dash of romance and sumptuous costumes.

Coppélia

Symphonic Variations was Frederic Ashton’s first work after World War II, and one of the Company’s first to be performed on the huge main stage of the Royal Opera House, in 1946. With six dancers performing a series of quartets, duets, sextets and solos to Franck’s brooding Variations symphoniques, this seminal masterpiece celebrates the pure beauty of movement.

Ashton celebrates movement with six dancers in a series of quartets, duets, sextets and solos to Franck’s brooding Variations symphoniques.

Symphonic Variations

Although largely humorous with a healthy sense of irony, the ballet tackles a fundamentally serious theme: the search for one’s better half. In a world where authenticity is eroded by convention, finding the perfect partner is no small feat, and Shakespeare’s play remains as relevant as ever. Rejecting male dominance within the couple unit, Jean-Christophe Maillot chose to focus on what’s vital in a romantic relationship.

Although largely humorous with a healthy sense of irony, the ballet tackles a fundamentally serious theme: the search for one’s better half.

The Narrative of Nothing

The Australian Ballet

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