Laurent Pelly's expression of Berlioz's adaptation of Much Ado about Nothing as an opera comique becomes ''an elegant treatise on love and music".
Beatrice and Benedict
Glyndebourne
opera

Jo Clifford’s gothic adaptation opens in the rotting dining room of Satis House, captured live at the Vaudeville Theatre.
Jack Ellis’s Jaggers presides over a space that will not let go. Adult Pip watches as his younger self is drawn in. A hand reaches from the dark. Miss Havisham sits fixed at her decaying table. A wedding cake collapses in on itself. Paula Wilcox moves through cobwebbed walls and costumes, then ignites as the room turns.
Director Graham McLaren compresses thirty years into a single interior that contains Pip as witness and as outcome. What unfolds is not discovery. It is recognition.
(Director), (Writer), Paula Wilcox (Miss Havisham), Jack Ellis (Jaggers), Christopher Ellison (Magwitch), Paul Nivison (Adult Pip), Taylor Jay-Davies (Young Pip), Katie Allen (Camilla Pocket), (Writer)