Laurent Pelly's expression of Berlioz's adaptation of Much Ado about Nothing as an opera comique becomes ''an elegant treatise on love and music".
Beatrice and Benedict
Glyndebourne
opera

Green-haired and frenzied, Rufus Hound explodes onto the London Palladium stage as Toad, tearing through Julian Fellowes' (Downton Abbey) adaptation and rewiring Edwardian calm into velocity and misrule.
The first screech of a stolen motorcar gives way to courtroom chaos and a surging steam train chase, as Simon Lipkin's Ratty, Craig Mather's Mole, and Gary Wilmot's ramrod-straight Badger struggle to hold their riverbank life together. Then a final escalation. Toad clears the stage entirely, flying out over the audience on a jetpack.
Captured from above in sightlines no stalls ticket could buy, the Olivier Award-winning team of George Stiles and Anthony Drewe (Mary Poppins) delivers a score that shapes the escapade itself, shifting between choral swell and mischief with precision and wit.
Rufus Hound (Mr. Toad), Simon Lipkin (Rat), Craig Mather (Mole), Neil McDermott (Chief Weasel), Denise Welch (Mrs Otter & Barge Woman), Gary Wilmot (Badger), (Director), (Writer), (Writer), (Composer), (Conductor)